Hamlet
“To be, or not to be: that is the question”
3.1 — Hamlet weighs life against death.
“Frailty, thy name is woman!”
1.2 — Hamlet condemns what he sees as his mother’s weakness.
“Something is rotten in the state of Denmark”
1.4 — Marcellus senses corruption beneath courtly order.
“The lady doth protest too much, methinks”
3.2 — Gertrude comments during the players’ performance.
“Brevity is the soul of wit”
2.2 — The talkative Polonius praises concision.
“Though this be madness, yet there is method in’t”
2.2 — Polonius detects purpose in Hamlet’s strange conduct.
“Get thee to a nunnery”
3.1 — Hamlet rejects Ophelia in a scene of contested motives.
“What a piece of work is a man!”
2.2 — Hamlet admires humanity while confessing his despair.
As You Like It
“All the world’s a stage, / And all the men and women merely players”
2.7 — Jaques describes the seven ages of human life.
Romeo and Juliet
“O Romeo, Romeo! wherefore art thou Romeo?”
2.2 — Juliet asks why Romeo belongs to the rival Montagues.
“What’s in a name? That which we call a rose / By any other word would smell as sweet”
2.2 — Juliet separates Romeo from his family name.
“Good night, good night! parting is such sweet sorrow”
2.2 — Juliet prolongs the lovers’ farewell.
Richard III
“Now is the winter of our discontent / Made glorious summer by this sun of York”
1.1 — Richard opens the play after his family’s victory.
“A horse! a horse! my kingdom for a horse!”
5.4 — Richard seeks escape in the final battle.
Julius Caesar
“Friends, Romans, countrymen, lend me your ears”
3.2 — Antony begins his funeral speech for Caesar.
“Beware the ides of March”
1.2 — A soothsayer warns Caesar.
“Cowards die many times before their deaths”
2.2 — Caesar dismisses fear.
“Et tu, Brute?—Then fall, Caesar!”
3.1 — Caesar recognises Brutus among the assassins.
“Cry “Havoc!” and let slip the dogs of war”
3.1 — Antony imagines vengeance after Caesar’s death.
Twelfth Night
“If music be the food of love, play on”
1.1 — Orsino indulges his passion for Olivia.
“Some are born great, some achieve greatness, and some have greatness thrust upon ’em”
2.5 — A forged letter flatters Malvolio.
“Journeys end in lovers meeting”
2.3 — Feste sings of love and the present moment.
“Better a witty fool than a foolish wit”
1.5 — Feste defends the wisdom of a licensed fool.
Henry V
“Once more unto the breach, dear friends, once more”
3.1 — Henry rallies his soldiers at Harfleur.
“We few, we happy few, we band of brothers”
4.3 — Henry addresses his army before Agincourt.
Macbeth
“Double, double toil and trouble; / Fire burn and cauldron bubble”
4.1 — The witches chant over their cauldron.
“Out, damned spot!”
5.1 — Lady Macbeth imagines blood upon her hands.
“Is this a dagger which I see before me”
2.1 — Macbeth sees a vision before Duncan’s murder.
“Fair is foul, and foul is fair”
1.1 — The witches introduce a world of moral inversion.
“Tomorrow, and tomorrow, and tomorrow”
5.5 — Macbeth responds bleakly to news of his wife’s death.
A Midsummer Night’s Dream
“The course of true love never did run smooth”
1.1 — Lysander recognises that lovers face obstacles.
“Lord, what fools these mortals be!”
3.2 — Puck watches the lovers’ confusion.
“I know a bank where the wild thyme blows”
2.1 — Oberon describes Titania’s resting place.
The Tempest
“We are such stuff / As dreams are made on”
4.1 — Prospero reflects on a vanished masque and mortal life.
“Misery acquaints a man with strange bedfellows”
2.2 — Trinculo shelters beside Caliban.
The Merchant of Venice
“The quality of mercy is not strained”
4.1 — Portia argues that mercy cannot be compelled.
“If you prick us, do we not bleed?”
3.1 — Shylock insists upon common humanity.
Sonnet 18
“Shall I compare thee to a summer’s day?”
Line 1 — The speaker begins a meditation on beauty and verse.
Sonnet 116
“Let me not to the marriage of true minds / Admit impediments”
Lines 1–2 — The poem defines steadfast love.
Sonnet 130
“My mistress’ eyes are nothing like the sun”
Line 1 — The speaker rejects exaggerated praise.
King Lear
“Nothing will come of nothing”
1.1 — Lear presses Cordelia to speak.
“The wheel is come full circle”
5.3 — Edmund recognises the return of consequence.
“How sharper than a serpent’s tooth it is / To have a thankless child!”
1.4 — Lear curses Goneril’s ingratitude.
Henry IV Part 2
“Uneasy lies the head that wears a crown”
3.1 — The sleepless king reflects on royal anxiety.
The Winter’s Tale
“Exit, pursued by a bear”
3.3 — A startling stage direction ends Antigonus’s scene.
Richard II
“This royal throne of kings, this sceptred isle”
2.1 — John of Gaunt praises England while lamenting its rule.
Much Ado About Nothing
“Sigh no more, ladies, sigh no more”
2.3 — Balthasar sings about male inconstancy.
“Kill Claudio”
4.1 — Beatrice tests Benedick’s loyalty after Hero is shamed.
Othello
“O, beware, my lord, of jealousy; / It is the green-eyed monster”
3.3 — Iago appears to warn Othello while planting suspicion.
“I kissed thee ere I killed thee”
5.2 — Othello dies beside Desdemona.
Antony and Cleopatra
“Age cannot wither her, nor custom stale / Her infinite variety”
2.2 — Enobarbus describes Cleopatra’s allure.